Geoengineering Watch Global Alert News, January 30, 2016
Dane Wigington geoengineeringwatch.org The anthropogenic assault on planet earth continues to accelerate on countless fronts, with climate engineering at the top of the list. The rapidly unfolding biosphere implosion is increasingly hindering industrialized civilization's futile attempt to perpetually expand on a finite planet with finite resources. The current paradigm is completely decimating the biosphere. The climate engineering interference with the global climate system and the hydrological cycle is a one primary manifestation of the ongoing assault against the planet. "From The Nile To The Amazon, Climate Change Threatens Hydropower" Tourists watch floodwaters gushing out of the Xiaolandi dam on the Yellow River in China’s Henan province. Photograph: Miao qiunao/Press Association Images The latest energy industry cataclysm continues to go from bad to worse. Breaking: They may have “entirely lost control of entire field” involved in LA gas disaster, and it’s coming up everywhere… We learned there are many other leaks… We are told that global warming will trigger more extreme cooling events, is this conclusion supported by the latest science study? No, recent studies reveal that the anomalous cool-downs on our rapidly warming world are NOT a likely result of global warming. Snowstorms like "winter storm Jonas" are completely engineered events, a glaring red flag that reflects the rapidly increasing desperation of the power structure and the geoengineers. A woman digging out after "Winter Storm Jonas" Climate Change Does Not Cause Extreme Winters, New Study Shows. Cold snaps like the ones that hit the eastern United States in the past winters are not a consequence of climate change. Scientists at ETH Zurich and the California Institute of Technology have shown that global warming actually tends to reduce temperature variability. The geoengineers have already scheduled "Winter Storm Kayla". "Winter Storm Kayla" will be the next theatrically named event in a string of engineered chemical ice nucleated cool-down atrocities created by the climate engineering juggernaut of insanity. Possible record warmth and tornado outbreaks are forecasted on one side of this "Winter Storm", with blizzards predicted on the other side. If you think such scenarios are "natural", think again. Many continue to falsely argue that the runaway Co2 levels are not a problem for the climate and ecosystems. Tell that to the fish that are trying to survive in our rapidly acidifying oceans. Lost at sea – fish getting drunk from rising carbon dioxide emissions UNSW researchers have found that carbon dioxide concentrations in seawater could reach levels high enough to make fish “intoxicated” and disoriented many decades earlier than previously thought, with serious implications for the world’s fisheries. On the current trajectory the horizon will continue to grow darker by the day. Yet, even now, so many are completely and willingly blind to what is unfolding and in plain site. The majority continue to unquestioningly support the very power structure that is responsible for the juggernaut of destruction and oppression. States, Stockholm Syndrome, and Pseudo-Patriotism Unnatural feelings of support for those within arbitrary borders, and dislike for those without, can only be explained as the product of a deep psychological phenomenon. Breaking free may be hard, even counterintuitive. But unless we do so, we risk being forever engulfed in blind obedience to a state that should command neither our will nor our support without first justifying its existence. The latest installment of Global Alert News is below. Stockholm Syndrome, normalcy bias, and simple denial, are so far ruling the day. These psychological defense mechanisms are an epidemic form of the public's willful blindness that must be shattered. Each of us has a part to play in this most critical battle to wake the masses.We will sink or swim together, all are needed in the battle to sound the alarm. What will you do? What will be your part in the play? DW